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and the surrounding area Lake Iseo and Franciacorta
The Camonica Valley
Lake Garda and Sabbia Valley
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Colours
of promises to God in the small medieval churches St. Mary in Favento: a
small church made big by the faith of the people who painted its walls - Nigoline:
English, Armenian and Rumanian names on the nobles tombs around the frescoes by
Floriano Ferramola
The town of PARATICO was defended by an important Castle, built in the 13th C. Its
ruins can still be seen, from a distance, on top of a little hill on the right of the road
to Capriolo. When - according to legend - in 1311 the local Princes Lantieri hosted Dante,
the castle must have appeared more looming and imposing. The circle of walls was much more
extensive and perhaps the well preserved tower among the houses under the hill was part of
it. It was only meant as a defence, not as a residence: there were only three habitable
rooms.
During the Middle Ages, the Lantieris, the Ochis and the
Paraticos were the nobles in CAPRIOLO. The Castle, built before the year 1000 AD to defend
the Brescia border on the Oglio river from the attacks from Bergamo, has been a nunnery
since the end of the 17th C and at present you can recognise its defensive origin only by
its massiveness which stands out over the town. You can get there with a climbing-walk
along the steep via Castello: you will find elegant palaces (16th C) and older mighty
residences, built with rough-hewn masses of stone, with heavy portals made of local stones
such as the green one from Sarnico.
On the lower side of town, there is the Parish of St. George, rebuilt at the end of the
19th C, where a recently restored Resurrection by Romanino glows (in one of the chapels on
the right). The Martyrdom of St. Gervase and St. Protase by Callisto Piazza is noteworthy,
as well.
The town hall of ADRO is in the Bargnani Dandolo Palace (17th C), which hosted such
celebrities as Cavour, Boito and Verdi. Next to it is the Bargnani Small Church, with an
unusual elliptical shape.
The Sanctuary of the St. Mary of Snow (18th C) is considered as one of the abbot-architect
Gaspare Turbinis masterpieces. It is in the hamlet of TORBIATO, with a central plan
with a dome, erected on top of a small church, which recalled the miraculous apparition of
the St. Mary to a deaf-mute.
The frescoes in the small Sanctuary of St. Mary in Favento (see box on the page 31) are
the little big treasure of the town.
The four hamlets (Timoline, Borgonato, Nigoline and Colombaro) that form CORTE FRANCA
encompass the hillsides, which maintain the mild lake climate in a large hollow. Here,
among the vineyards, we find villas and palaces erected in the 16th, 17th and 18th
centuries by the nobles from Brescia. In BORGONATO there is Lana-Berlucchis Palace,
formed by two main parts (16th C) with an elegant little loggia that you can see from the
road. The Queen of Cyprus, Catherine Cornaro, lived here in 1497. In her court in Asola,
she hosted major men of letters of the time.
On the slopes of a highground, in the NIGOLINE cemetery, is the Church of St. Euphemia
(before the year 1000 AD, rebuilt in the 15th C). In ancient times it was an annexe to the
Iseo parish and later it became the first parish in Nigoline. It is in the final stage of
restoration. The frescoes on the walls are by the refined artist Floriano Ferramola: in
the apse there are episodes of the Life and Martyrdom of St. Euphemia. In the central
fresco the Saint appears between the bishop St. Martin and another character, who could be
the deacon St. Laurence or St. Faustino. In 1702 other older frescoes were discovered
under the strange plaster of the reconstruction in baroque style. In the nave and in the
cemetery there are nobles tombs, on which we can read names of representatives of
the English, Rumanian and Armenian aristocracy. They were brought over to be buried by the
international relatives of the barons Monti della Corte and by the earls Zoppola.
The long horse and the marble cloak
At present the little church of St. Mary in Favento seems to be isolated on the
North-East outskirts of the village. Actually the Roman consular road to the Camonica
Valley passed by here. The building (13th C), is a little less than four metres wide and
twelve metres long, but the simple architectural harmony and the colour effects of the
frescoes give it an unexpected grandeur. Among the frescoes (15th and 16th C), the one of
the triumphal arch (Annunciation and Trinity) is the most significant from an artistic
point of view. St. George killing the dragon (possibly from the end of the 14th C) is the
most picturesque. Its style is almost Byzantine, with a white steed with an unusually long
body. In such a way the painter meant to give the idea of running; a movement which makes
the cloak flap, although it is stiff as it were made of marble.
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